Showing posts with label Busoni Ferruccio. Show all posts
Showing posts with label Busoni Ferruccio. Show all posts

BACH Transcriptions - 2


"Nikolai Demidenko performs all the music here with admirable devotion … The playing throughout this enterprising recital cannot be faulted" --BBC Music Magazine

"[Demidenko's] performances capture the smouldering long lines and Gothic grandeur inherent in Busoni's textural transformations of the originals" --International Record Review

"Enthusiastically recommended" --Fanfare, USA




'From the opening notes of the Fantasia, Adagio and Fugue with which the CD begins there is a lightness, vivacity and ease to Demidenko’s playing which engages the attention' (Pianist)

'Demidenko’s full-blooded readings of the D major Prelude and Fugue BWV 532 and the monumental D minor Chaconne from BWV 1004 have the necessary tingle factor, backed by sensational recorded sound' (Music Week)

'Demidenko rend un somoptueux hommage à l’art de Busoni, dont ces compositions constituent elles-mêmes un vibrant hommage au génie de Bach' (Répertoire, France)

'Il [Nikolai Demidenko] possède une véritable affinité et une intelligence de cette musique, qui apparaît très claire, sinon toujours à son maximum d’éxpressivité. Voici une approche convaincante de ces transcriptions' (Classica, France)

'This is some of the most colossal piano playing I've ever heard. In its nobility, its grandeur, its multi-dimensionality and its astounding command of piano sonorities, it's worth the price of admission by itself' (Piano, Germany)

'Demidenko plays them all with great panache and limitless technical command, clearly relishing the vast array of colour that Busoni's fertile imagination encourages' (The Guardian)

BACH Transcriptions - 1


"Magnificently played" --BBC Music Magazine

"Strikingly conveys the spiritual states which Bach evokes in these pieces" --Classic CD

"It is only necessary to mention J S Bach in order, with one decisive blow, to raise the rank of transcription to artistic honour in the reader’s [listener’s] estimation … from him I learnt to recognize the truth that Good and Great Universal Music remains the same through whatever medium it is sounded." Busoni, Berlin November 1910